RENI, Guido

Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.


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RENI, Guido Virgin of the Annunciation szt oil


Virgin of the Annunciation szt
Painting ID::  8879
Virgin of the Annunciation szt
Oil on canvas, 58,5 x 46,5 cm Landesmuseum, Oldenburg
Oil_on_canvas,_58,5_x_46,5_cm Landesmuseum,_Oldenburg
   
   
     

RENI, Guido Cleopatra with the Asp oil


Cleopatra with the Asp
Painting ID::  8880
Cleopatra with the Asp
c. 1630 Oil on canvas, 113,7 x 94,9 cm Royal Collection, Windsor
   
   
     

RENI, Guido Cleopatra oil


Cleopatra
Painting ID::  8881
Cleopatra
1635-40 Oil on canvas, 122 x 96 cm Galleria Palatina (Palazzo Pitti), Florence
   
   
     

RENI, Guido St Joseph oil


St Joseph
Painting ID::  8882
St Joseph
Oil on canvas Basilica dei Santi Giovanni e Paolo, Venice
Oil_on_canvas Basilica_dei_Santi_Giovanni_e_Paolo,_Venice
   
   
     

RENI, Guido St Joseph with the Infant Jesus dy oil


St Joseph with the Infant Jesus dy
Painting ID::  8883
St Joseph with the Infant Jesus dy
c. 1635 Oil on canvas, 126 x 101 cm The Hermitage, St. Petersburg
   
   
     

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     RENI, Guido
     Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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